Sergio Mendes & Brasil ’66 – Greatest Hits (Craft Recordings)
Best-selling album is back in print after many years
One of the key elements of throwing a good party is the music. Are you going to subject your guests to ads every three songs on a lousy streaming service, or are you going to grab a turntable and show just how cool you really are? While Moondance and Pet Sounds are obvious choices for spins, you really should choose something more exotic, yet familiar. That’s where Greatest Hits from Sergio Mendes & Brasil ’66 comes in. This great album, criminally out of print for decades, is finally made available again by the fine folks at Craft Recordings. Continue reading Sergio Mendes & Brasil ’66 – Greatest Hits – Back on Vinyl→
Led Zeppelin – The Song Remains the Same (Swan Song/Warner) (remastered)
The black sheep of the Zeppelin cannon gets the deluxe edition treatment, but – what’s wrong with it?
There’s a reason that The Song Remains the Same is the last album in the Led Zeppelin catalog to get remastered. The band has been very frank in their opinion of their original live album; Robert Plant even calling it “a load of rubbish” at one point. It was recorded at the end of a long tour in 1973 and issued largely without the band’s consent in time for the Christmas holiday of 1976. So is it really that bad? Continue reading Led Zeppelin – The Song Remains the Same (review)→
Ian Anderson & Jethro Tull – Rose Music Center, Huber Heights, OH 9/5/18
Ahh, everyone seems to be celebrating anniversaries as of late. Yet, most bands are using them simply as a not-so-obvious excuse to sell more tickets. Meanwhile, Ian Anderson’s Jethro Tull is utilizing their 50th anniversary to actually celebrate their band’s rich legacy. During this tour, the band is digging deep into their catalog to pull out some lesser-known material, accompanied by a treasure trove of audio/visuals, both past and present. Continue reading Ian Anderson’s Jethro Tull – Rose Music Center – 9/5/18→
Singer, pianist, and songwriter A.J. Croce, the son of Jim Croce, has spent nine albums forging his own musical path. often mining elements of soul, folk and pop. In fact, he released one of the finest albums of 2017 called Just Like Medicine, which was produced by legendary producer Dan Penn, and featured a song co-written with the late Leon Russell.
Croce’s latest venture is a series of shows, Croce Plays Croce, where he performs the songs of his famous father along with some of his own compositions, which is coming locally to the brand new Levitt Pavilion in Dayton on September 6th.
We also talk to him about recording his dad’s song, “I Got a Name,” which was featured in a Goodyear commercial starring Dale Earnhardt, Jr.
Sultry New York singer Rebecca Angel recently graduated from Ithica College with a degree in voice and now she’s just issued her debut EP called What We Had. The album was produced by renowned jazz keyboardist Jason Miles, who’s worked with Miles Davis, Whitney Houston and many others. She’s also collaborated with this project with her dad, trumpet player Dennis Angel.
Rebecca talks about finding a style all her own, and giving an electronic twist to the soul classic, “Stand By Me.”
Call it swamp rock, or whatever you want, but Tony Joe White has created a style of music all his own and he’s parlayed it into a career that’s lasted over 50 years. He hit the top 10 in 1969 with “Polk Salad Annie,” and penned the soulful ballad “Rainy Night in Georgia,” first made famous by Brook Benton, but has been covered by countless performers.
He’s worked with everyone from Mark Knopfler, Eric Clapton to Jerry Lee Lewis and Joe Cocker. His latest album is stripped-down affair called Bad Mouthin’ from Yep Roc records.
White talks about the record that inspired him to start writing songs of his own. Plus, what it was like not only having Elvis Presley record three of his compositions, but also getting the opportunity to hang out with The King backstage.
The Cure – Mixed Up and Torn Down (Deluxe Edition (Rhino)
In the Aftermath of Their Biggest Success, the Cure Turn to Remixes
In October of 1989, The Cure found themselves sitting at #2 on the Billboard Pop Charts in the US with their hit, “Lovesong.” Rubbing shoulders with the likes of Janet Jackson and New Kids on the Block sure made for strange bedfellows, and no one is prepared for that kind of runaway success, even if the band had already been together for over ten years at that point. Rather than trying to immediately followup this success, leader Robert Smith came up with a novel idea: remix some of the band’s catalog. Thus, the original, 1990 album Mixed Up was born. Continue reading The Cure – Mixed Up (Deluxe Edition) – Shaken AND Stirred (review)→
Warren Zevon was the very definition of the enigmatic artist. In Accidentally Like a Martyr: The Tortured Art of Warren Zevon (Backbeat Books), author James Campion attempts to separate the man from the myth by first analyzing the lyrics in several of his songs, then by talking with the family, friends and colleagues who knew him best. Campion secured interviews with Zevon’s ex-wife, and kids, plus J.D. Souther, Jackson Browne, and many others.
We chat with the life-long, self-proclaimed “Zevon-head” about doing a book on his favorite artist, plus how he tracked down all the great interviews for the book. We also discuss how Zevon felt about his one, smash hit “Werewolves of London.”
The finest collection of the band’s music ever assembled
Jethro Tull’s music has been compiled many times, but 50 For 50 is the most complete overview of their entire career ever put together. Previous collections, like 20 Years of Tull and the 25th Anniversary box set have added unreleased tracks, live cuts and alternate mixes, along with their common material. 50 For 50’s one goal is to bring together the best of Jethro Tull over its 5-decade career, and it succeeds very well. Continue reading Jethro Tull – 50 For 50 – 3 Discs of the Best (review)→