First time on CD for a pair of underrated solo albums from the ex-Byrd
Chris Hillman was a late-bloomer. He began as the bassist, and occasional vocalist for the seminal 60’s band, the Byrds. Yet, his early songs sounded tentative, and video footage of him from that time period revealed an uncomfortable rockstar. Who could’ve guessed that much bigger success for him lurked right around the corner?
Eventually, Hillman would help found the groundbreaking country-rock outfit the Flying Burrito Brothers with Gram Parsons, team with Stephen Stills in the genre-bending Manassas, and hit well-deserved success in the early Eighties with the country combo the Desert Rose Band. The Asylum Years, a new disc from Omnivore Recordings, fills a gap in that story, making available for the first time on CD and digital formats, two forgotten solo albums Hillman recorded in the late Seventies, Slippin’ Away and Clear Sailin’. Continue reading Chris Hillman – The Asylum Years (review)
A.M. / Being There (Rhino / Reprise)
Jeff Tweedy’s Wilco is one of the most respected bands of the last 20 years. They’ve managed to gain critical praise while garnering decent sales and even battling major record labels. Yet, there was a time when all of this was in serious doubt. A pair of reissues from Rhino Records give us a glimpse of the early steps of the band with deluxe versions of their first two albums, A.M. and Being There.
When Uncle Tupelo imploded in 1994, leader Jay Farrar formed Son Volt, while the other remaining members joined Tweedy in Wilco. Initially, it was Farrar that achieved success, both with Son Volt’s debut album, Trace, and its college rock hit single, “Drown.” Sales of Wilco’s debut A.M. paled in comparison. Yet, over time, Wilco has certainly gained momentum, especially with albums like Yankee Hotel Foxtrot. Continue reading Wilco Remasters Revisit the Early, Post Uncle Tupelo Days
Never-before released album from band that spawned the Raspberries
The Sixties were a great time for music. Problem is, most everything has been overplayed from that era for years. Wouldn’t it be great to get some fresh, new music from that time period? Enter Artifact – The Unreleased Album from the Cleveland band, The Choir, just out on Omnivore Recordings.
The group is best known for “It’s Cold Outside,” a jangly bit of British Invasion imitation that became a minor hit nationally in 1966. The lineup at that time contained 3/4th’s of what would later become the Raspberries (minus Eric Carmen). But, as we find out in the liner notes and extensive family tree, The Choir became a revolving door of musicians from the North Coast, including members that would go on to be in the James Gang and many other, less-successful bands. Continue reading The Choir – Artifact – The Unreleased Album
The best, single-disc collection of the band’s music ever assembled
Toto’s debut album was a surprise hit when it was released back in 1978. Four decades later, the band continues to tour and create new music. That legacy is celebrated with Greatest Hits: Forty Trips Around the Sun, a new compilation from Legacy Recordings.
Few bands from that time period are even around now, yet Toto remains relevant. One reason is their versatility. Take the singles from band’s debut – the insistent “Hold the Line” had an odd drumbeat from Jeff Porcaro and killer guitar solo from Steve Lukather, while the slinky “Georgy Porgy” was a bona fide R&B hit. Then there’s their biggest hit, 1982’s “Africa.” Buoyed by a strange time signature and moody keyboards, who’d have guessed that it would go all the way to #1? Continue reading Toto – Greatest Hits: 40 Trips Around the Sun (review)
NC native’s first live album is as infectious as his studio work
Seth Walker has been on an enviable hot streak as of late, releasing a series of fantastic studio albums that mix R&B, folk, blues and rock into a style that’s all his own. Live At Mauch Chunk Opera House is his first-ever concert recording, and it shows that he’s just as lethal in a live setting.
Although Walker did a lot of solo shows promoting his latest album, Gotta Get Back, for this disc he’s joined by the trio of Myles Weeks on bass, Stefano Intelisano on keys & accordion, and Eric Kalb on drums. They provide the perfect backdrop for Walker’s laid back delivery. Continue reading Seth Walker – Live at Mauch Chunk Opera House (review)
Delbert McClinton & Self-Made Men – Prick of the Litter (Hot Shot/Thirty Tigers)
How many artists in their 70’s are still consistently releasing music? Of those, how many are putting out albums that rank as some of the finest of their career? There is absolutely only one – Delbert McClinton.
Rock, blues, country – he’s done it all, and has the awards to prove it. Yet, McClinton’s latest project is a nod to the pre-rock music of his youth. Prick of the Litter finds the 76-year old survivor exploring the classic song structures of folks like Johnny Mercer. But, instead of covering old material, he’s written new compositions that emulate that great music. Don’t worry, there’s still several rockers here too. Continue reading Our Favorite Album of 2017
Brian Wilson – Playback – The Brian Wilson Anthology (Rhino)
The guiding force behind the 1960’s Beach Boys, Brian Wilson helped create some of the greatest American rock n’ roll ever recorded. Yet, by the early 1970’s, a combination of drugs and fractured psyche left him a damaged recluse who famously put a sandbox in his living room. Dr. Eugene Landy’s controversial treatment in the mid 80’s could’ve signaled the end of this great artist. Yet, somehow Wilson has managed to pull things together and issue music which, while not as spectacular as his early Beach Boys, certainly contain moments of brilliance. Continue reading Rarely do artists get a second act quite like Brian Wilson
Various Artists – Now That’s What I Call 90’s Pop (Universal / Sony) review
Eleven number one hits
The 1990’s were a time of incredible prosperity and technological advances. Record companies were selling unprecedented amounts of CDs and, as a result, artists were still making money from the sale of their recorded music (imagine that, right?). Now That’s What I Call 90’s Pop attempts to sum up the Top 40 side of things with this new collection. Continue reading Back to the decade that spawned Friends, Starbucks and Harry Potter
Eidolon – The Allan Holdsworth Collection (Manifesto) review
For older music fans, there seems to be only two choices now – subpar new music that is good, but not great, or listen to the same old tired material of the past. Well, now is as good a time as ever to discover someone you may have missed the first time around – guitar virtuoso Allan Holdsworth. Continue reading He was the John Coltrane of the Electric Guitar
Chandler Travis Philharmonic – Waving Kissyhead vol 2 & 1 (Iddy Biddy) review
It’s 2018. David Bowie, Prince and Tom Petty are dead. Most popular music is boring, homogenized corporate crap or pretentious, self-absorbed music that is purposely un-technical. So, here comes the Chandler Travis Philharmonic to save the day. Well, probably not. I mean, they’re just one band. But, they’re a pretty damn good band. Despite their moniker, the band has a lot more to do with the sloppy tightness of the Replacements than that community orchestra that you’re aunt that never married has season tickets to. Continue reading Remember when rock n’ roll was fun?