Category Archives: Shows

#315 – Dex Romweber of Flat Duo Jets – Wild Wild Love

Wild rock n’ roll personified

In 1984, right when the world was embracing the synthesizers and funny haircuts of New Wave, the Flat Duo Jets emerged from Chapel Hill, bringing everything back to basics – Dexter Romweber on vocals and guitar, and Chris “Crow” Smith on drums.

Daniel 13 is issuing Wild Wild Love, a two-disc set that brings together the band’s first full length, 1990’s Flat Duo Jets, along with 1984’s cassette-only In Stereo EP and a second disc of bonus material.

We talk with Romweber about the band’s origins, what led to the reissue of these recordings, and the band’s appearances on both MTV and Late Night with David Letterman.

#314 – Kim Wilson – Fabulous T-Birds Singer Goes Back to His Roots For Blues & Boogie vol one

Founding member and vocalist for the Fabulous Thunderbirds, Kim Wilson, has enjoyed hit albums, sold out concerts and even  videos on MTV, but his latest project takes him back to where it all started – Blues and Boogie Volume One is a collection of raw blues, done the old-fashioned way. The 16 tracks give Wilson a chance to honor some of his idols, like James Cotton, Little Walter and Sonny Boy Williamson, while also throwing in some of his originals which fit perfectly with the mood.

He reveals how he was able to channel that vintage sound on his new material.  Plus, he talks the crazy success of the Fabulous Thunderbirds’ hit “Tuff Enuff.”

#313 – Colin Hay – Fierce Mercy and Men At Work

Colin Hay was the lead singer of Men At Work, who sold an unbelievable 15 million copies worldwide of their debut, Business as Usual, yielding hits like “Down Under” and “Who Can it Be Now.” After three albums, the band called it quits.  Since then, Hay has forged a solo career, showing an ability to write songs with incredible depth. He’s recently issued his 13th solo platter, Fierce Mercy, and it’s a diverse affair, with some songs featuring a heavy Americana feel, while another has a strong Phil Spector influence. We chat about the inspiration for some of the new songs, plus he looks back on that incredible popularity of the early Eighties.

#312 – Chris Barron – Spin Doctors, Losing His Voice, and Angels & One-Armed Jugglers

photo by Jesse Dittmar

Chris Barron is the lead singer of the Spin Doctors, who after much perseverance, enjoyed massive success in the early Nineties with hits like “Two Princes” and “Little Miss Can’t Be Wrong” and the accompanying album, Pocket Full of Kryptonite, which went five times Platinum.  Barron took some time out from the band to start work on his second solo record. During the process, he dealt with a paralyzed vocal cord, and the fear that he might never sing again.  Thankfully, Barron’s voice returned, and with the help of a bevy of New York’s finest musicians, he’s put together an eleven track song cycle titled Angels and One-Armed Jugglers.

Barron takes us through the stories behind several songs, including one about his neighbor who inspired the title of the album.  Plus, he talks about the massive success the Spin Doctors enjoyed, as well as the story of “Two Princes.”

#311 – Cheryl Pawelski of Omnivore Recordings – Chris Bell, Big Star, Raspberries, Beach Boys, Buck Owens – Whew!

Cheryl Pawelski worked her way from music fan, to stints with  labels like Capitol, Rhino and Concord, to starting her own label, Omnivore Recordings, in 2010. The company’s goal is “preserving, curating and championing some of music’s greatest legacies.” The label has issued everything from the earliest recordings from the Beach Boys, called Becoming the Beach Boys, to a complete singles collection from Buck Owens, to the soundtrack to the seminal film Athens Ga – Inside/Out, and a recent Raspberries Live Album from their reunion.

A reissue of Big Star’s Third was their very first release, so in a way, things continue to come full circle with the release of Big Star founder Chris Bell’s only solo album, I Am the Cosmos, in its most complete form, containing six previously unreleased tracks. This is whetting everyone’s appetite for a Complete Chris Bell collection, containing every known recording  the enigmatic singer/guitarist put to tapebefore and after Big Star, coming later in the year on vinyl.

We also chat how the label obtains the rights to certain reissues, like the Complete Rockin’ the Fillmore from Humble Pie.

#310 – Louise Goffin – Johnny Depp, Skylar Gudasz and Why She Isn’t Recording Albums Anymore

Louise Goffin – photo by Amanda Bjorn

Louise Goffin is the daughter of the hit-making songwriting team of Carole King and Gerry Goffin, yet she’s been able to forge her own unique path in music, beginning when she was only 19 years old with the album Kid Blue in 1979. In 1982, she placed a song on the Fast Times at Ridgemont High Soundtrack, then had a VH1 hit with 1988’s “Bridge of Sighs,” before taking a break from releasing music.

More recently, she’s been more active, producing a Grammy-nominated album for her mother, A Holiday Carole in 2011, and sharing the stage with her last year at London’s Hyde Park, doing her own set, as well as helping sing some of Carole’s Tapestry album. Louise has recently placed several songs on TV shows, and she’s working on new material for 2018.

She tells us why she’s not interested in recording full-length albums anymore, and the crazy story of getting Johnny Depp & Alice Cooper to sing backup vocals on a recent song of hers

#309 – Jay Aston of Gene Loves Jezebel – New Album – Dance Underwater

UK’s Gene Loves Jezebel formed in the early 80’s and had their biggest success in the US with songs like 1986’s “Desire” and “Jealous,” which hit #1 on the Alternative charts in 1990.

Now, the band is back with their first new record in 14 years, Dance Underwater, which contains a killer single, appropriate for the time, “Summertime.”

We talk with Jay Aston about bringing the original lineup of the band back together for this new record, and working with David Bowie’s producer, Tony Visconti.  Plus, he sheds light on the difficulties of having his brother, Michael, tour with his own version of the band and the confusion that it causes fans of their music.


#308 – Paul Kelly – New Album – Life is Fine

Australian singer/songwriter Paul Kelly has tackled a lot of different musical projects over the last few years – he’s recorded a soul album, a duet album with Neil Finn of Crowded House, he put music to Shakespeare’s poetry and did a record with guitarist Charlie Owen of songs played a funerals.

His latest project, Life is Fine, returns Kelly to his rock roots. And, he’s planning on touring the States with a full band for the first time in 13 years. We talk to Kelly about this return to rock. Plus he tells us the story behind “Leah The Sequel,” which picks up where a Roy Orbison song left off back in 1962.

#307 – Eric Carmen of the Raspberries

Out of Cleveland Ohio came Raspberries. Led by Eric Carmen, they scored a monster hit in 1972 with “Go All the Way.” Carmen guided the band through four studio albums before embarking on a successful solo career in the mid Seventies, scoring hits like “All By Myself” and “Hungry Eyes,” and writing hits for other people, including “Almost Paradise” for Ann Wilson & Mike Reno.

Finally, in 2004, the four original Raspberries reunited to commemorate the grand opening of the House of Blues in Cleveland.  Now, that historic night has been made public, with the release of Pop Art Live, a 2-CD live set featuring 28 songs – everything the band played that historic first night, made available through Omnivore Recordings.

We chat with Carmen about putting that reunion together, and why this recording sounds so much better than ones released before.  Plus, he talks about the Raspberries’ hit “Go All the Way” being included on the Guardians of the Galaxy soundtrack.


#306 – John Gary Williams – I Believe the Whole Damn World is Going Crazy

John Gary Williams was a member of the Mad Lads, who were signed to Stax Records in the early Sixties, while he was  still in high school.  They had several R&B hits, including “I Don’t Have to Shop Around,” and “I Want Someone.”

Williams decided to go solo in the early Seventies, recording a fantastic debut, self-titled album in 1973.  Full of lush strings, funky rhythms, and Williams’ falsetto overtop, it should’ve been a smash hit.  Yet, distribution problems kept his album from getting into key markets like Detroit and Chicago.

Now, over 40 years later, his album is finally getting a proper release, as part of Stax Records’ 60th anniversary celebration.

We chat with Williams about his early days in the Mad Lads, who were much closer to New York Doo Wop, than Memphis Soul.  Plus, he talks about an upcoming movie that’s in production about his life. And, he takes us track by track through the reissue of his debut album.