Singer, pianist, and songwriter A.J. Croce, the son of Jim Croce, has spent nine albums forging his own musical path. often mining elements of soul, folk and pop. In fact, he released one of the finest albums of 2017 called Just Like Medicine, which was produced by legendary producer Dan Penn, and featured a song co-written with the late Leon Russell.
Croce’s latest venture is a series of shows, Croce Plays Croce, where he performs the songs of his famous father along with some of his own compositions, which is coming locally to the brand new Levitt Pavilion in Dayton on September 6th.
We also talk to him about recording his dad’s song, “I Got a Name,” which was featured in a Goodyear commercial starring Dale Earnhardt, Jr.
Sultry New York singer Rebecca Angel recently graduated from Ithica College with a degree in voice and now she’s just issued her debut EP called What We Had. The album was produced by renowned jazz keyboardist Jason Miles, who’s worked with Miles Davis, Whitney Houston and many others. She’s also collaborated with this project with her dad, trumpet player Dennis Angel.
Rebecca talks about finding a style all her own, and giving an electronic twist to the soul classic, “Stand By Me.”
Call it swamp rock, or whatever you want, but Tony Joe White has created a style of music all his own and he’s parlayed it into a career that’s lasted over 50 years. He hit the top 10 in 1969 with “Polk Salad Annie,” and penned the soulful ballad “Rainy Night in Georgia,” first made famous by Brook Benton, but has been covered by countless performers.
He’s worked with everyone from Mark Knopfler, Eric Clapton to Jerry Lee Lewis and Joe Cocker. His latest album is stripped-down affair called Bad Mouthin’ from Yep Roc records.
White talks about the record that inspired him to start writing songs of his own. Plus, what it was like not only having Elvis Presley record three of his compositions, but also getting the opportunity to hang out with The King backstage.
The Cure – Mixed Up and Torn Down (Deluxe Edition (Rhino)
In the Aftermath of Their Biggest Success, the Cure Turn to Remixes
In October of 1989, The Cure found themselves sitting at #2 on the Billboard Pop Charts in the US with their hit, “Lovesong.” Rubbing shoulders with the likes of Janet Jackson and New Kids on the Block sure made for strange bedfellows, and no one is prepared for that kind of runaway success, even if the band had already been together for over ten years at that point. Rather than trying to immediately followup this success, leader Robert Smith came up with a novel idea: remix some of the band’s catalog. Thus, the original, 1990 album Mixed Up was born. Continue reading The Cure – Mixed Up (Deluxe Edition) – Shaken AND Stirred (review)→
Warren Zevon was the very definition of the enigmatic artist. In Accidentally Like a Martyr: The Tortured Art of Warren Zevon (Backbeat Books), author James Campion attempts to separate the man from the myth by first analyzing the lyrics in several of his songs, then by talking with the family, friends and colleagues who knew him best. Campion secured interviews with Zevon’s ex-wife, and kids, plus J.D. Souther, Jackson Browne, and many others.
We chat with the life-long, self-proclaimed “Zevon-head” about doing a book on his favorite artist, plus how he tracked down all the great interviews for the book. We also discuss how Zevon felt about his one, smash hit “Werewolves of London.”
The finest collection of the band’s music ever assembled
Jethro Tull’s music has been compiled many times, but 50 For 50 is the most complete overview of their entire career ever put together. Previous collections, like 20 Years of Tull and the 25th Anniversary box set have added unreleased tracks, live cuts and alternate mixes, along with their common material. 50 For 50’s one goal is to bring together the best of Jethro Tull over its 5-decade career, and it succeeds very well. Continue reading Jethro Tull – 50 For 50 – 3 Discs of the Best (review)→
Chicago – Chicago II: Live on Soundstage (DVD/CD) (Rhino)
An under appreciated album gets performed live
Despite being mostly known now for their classic hit singles, Chicago were originally an album-oriented rock band. In fact, the band’s first three records were all double LP sets, full of challenging music that stretched the boundaries between pop, rock and jazz. The band recently revisited their second album, originally billed simply as Chicago but now known as Chicago II, for an episode of the PBS show Soundstage, playing the album in its entirety (well sort of – see below). Rhino has just issued a DVD/CD set of the performance as Chicago II: Live on Soundstage. Continue reading Chicago – Chicago II: Live on Soundstage – A Classic Album Played in Concert→
Junior Wells – Coming at You Buddy Guy – A Man & the Blues (Craft Recordings)
Craft Recordings continues to move the bar higher, reissuing a pair of vintage blues albums and setting a new standard for quality. The real difference here is the warmth and depth of the vinyl’s low end – this is truly the reason people claim they prefer analog over digital formats. Yet, it’s one of the few times a newly-pressed album actually delivers the goods. In addition, the heavy-grade album sleeve and attention to detail make for a packaging that’s as impressive as the vinyl it houses. Continue reading Two Classic Blues Albums Celebrate Their 50th Anniversary with Deluxe Vinyl Reissues→
The Dock of the Bay Sessions attempts to construct the LP Redding was working on before his untimely death
50 years after his passing, Otis Redding is still regarded as one of the finest soul singers in history. When his plane went down in December of 1967, he was working on an album that would stretch the boundaries of what soul music could be. Although we will never know for sure what that album would’ve sounded like, The Dock of the Bay Sessions, a new set from Rhino Records, is the closest we’ll ever get. Continue reading The Trailblazing, Final Recordings By Otis Redding, Collected Together→
A holy grail for fans of the enigmatic ex-member of the Byrds
Very few artists have the mystique of Gene Clark. Perhaps it’s because he’s the only former member of the original Byrds not to achieve any solo success. Or maybe it’s that his music always seems to carry a haunting quality that was all his own. Either way, a newly-discovered collection of demos from 1967 called Sings For You will do nothing but add to that legend.
Clark started out as one-fifth of the original lineup of the Byrds, penning many of the band’s early album tracks, including “I’ll Feel a Whole Lot Better,” and co-writing one of their biggest hits, “Eight Miles High,” before quitting in 1966 (purportedly over a fear of flying) to pursue a solo career. After one unsuccessful album for Columbia, Clark was dropped from the label. This is where we find the mercurial artist on Sings For You, a new archival release from Omnivore Recordings. Continue reading Gene Clark – Sings For You – Holy Grail For Fans→