It was great talking with Creed Bratton of the Office. He had a lot of interesting stories to tell, and we weren’t able to put them all into the original broadcast. So, as an added bonus, here’s more of the interview for Icon Fetch guests.
Veteran blues guitarist Elvin Bishop returns with a new CD “Red Dog Speaks,” on June 15th. The title refers to his favorite stringed instrument, a 1959 Gibson hollow body. Bishop’s storied career includes a stint in the acclaimed Butterfield Blues Band in the mid 1960’s. In ’68, he went solo and played a series of stellar co-headlining shows with the Allman Brothers Band at the Fillmore East. Bishop’s “Fooled Around and Fell in Love” hit #3 in 1976 and is still a staple at classic rock stations around the country. He was also nominated for a Grammy for Best Blues Album for 2008’s star-studded “The Blues Rolls On.” You can order Elvin’s CD by going directly to his record label’s site or at amazon.com as well. Click below for the Elvin Bishop interview.
You can find out more about Elvin, by going to his official site
Creed Bratton plays himself on the NBC hit comedy “The Office.” The true part of his character is that he was the lead guitarist of the sixties band the Grass Roots, who had hits with “Let’s Live For Today,” “Midnight Confessions,” and “Things I Should’ve Said.” He’s just released a new solo disc, appropriately titled Bounce Back. Icon Fetch talks to him about his dual career as actor and musician. Click below for the Creed Bratton of the Office interview.
Hopefully you enjoyed our interview with Justin Currie. Unfortunately, due to time restrictions, we were not able to air the entire conversation. So, as a special treat for our registered site members, here is some bonus material that did not make it into the original broadcast. Enjoy!
Justin Currie hit the top ten as lead singer of Del Amitri with 1995’s “Roll to Me.” That 2 1/2 minute Beatles knock-off merely scratched the surface of his talent. Currie is a prolific songwriter who has a gift for writing incredibly melodic songs that refuse to leave your head. He’s just released his second solo set called The Great War (Rykodisc). Currie talks with Icon Fetch from his home in Scotland on the eve of a tour of the US. He talks about his new CD, how he almost drowned shooting the underwater front cover, and also gives his feelings on the social networking craze.
Sad news this week that one of the all-time great heavy metal voices, Ronnie James Dio, succumbed to stomach cancer. In his honor, we’ve Fetch’d some of his best stuff for you:
Ronnie James Dio – Fetch’d
“Rainbow in the Dark” (Dio solo)
“Man on the Silver Mountain” (Rainbow)
“Heaven and Hell” (Black Sabbath)
“The Last in Line” (Dio solo)
“Long Live Rock n’ Roll” (Rainbow)
“Holy Diver” (Dio solo)
“Lady Evil” (Black Sabbath)
“Mask of the Great Deceiver” (Kerry Livgren)
“Hungry For Heaven” (Dio solo)
THIS IS A LETTER THAT I WROTE TO THE DAYTON DAILY NEWS
I attended the first two concerts of the season (Goo Goo Dolls & Gregg Allman) at Fraze Pavilion over the weekend. For the most part, I thoroughly enjoyed myself at both shows. But, I have to say that I had something happen to me that has NEVER happened before in my almost 30 years of concert-going: I was asked by the staff to SIT DOWN. I was not drunk, belligerent, or standing on my chair, I wasn’t even flailing about. I was standing up because I was excited by what I was seeing on stage, and I was told that I had to take my seat.
My seats were in the second row of the pavilion, just behind the folding chair section. I turned around and looked back at the crowd behind me. Almost all of them were sitting down. This wasn’t during a slow song or even a new one that no one knows (we all sat down through those), this particular song was “Statesboro Blues,” a highpoint of ANY Allman Brothers show for years (and I’ve been to six previously).
The staff person later apologized and said that she only tells people to sit down when she’s had five complaints. Complaints for standing during a concert? I didn’t see this in the list of Fraze “Do’s and Don’ts” To compare, the night before at the Goo Goo Dolls, everyone stood THE ENTIRE TIME. There were times when I needed to sit down and take a break. I didn’t complain, if I wanted to see, I stood up!
I’m not sure where to direct my anger at this, the people who complained or the staff person that actually listened. Why go to a rock concert if you’re going to sit down the entire time? I’ve been to concerts where the experience has been ruined by that wasted, out of control fan. But, this was different.
Note to those fans who want to sit down the entire time: next time, buy the DVD, and stay home.
Gregg Allman – Fraze Pavilion – Saturday, May 15, 2010
Another great night for a show. It rained in the early evening, but the clouds went away and it ended up being a beautiful night to watch some great music.
First thing I noticed was that Gregg Allman had his hair down. At several of the recent Allman Brothers Band shows, he’s worn his hair in a ponytail. Having his hair down actually made him look younger. The second thing was his voice. Gravelly, but still very strong, probably the best I’ve heard him sound in years.
He began the show with “Don’t Keep Me Wonderin‘” from Idlewild South, the second LP from the Allman Brothers and followed it with his biggest solo hit “I’m No Angel.” And thus began a night which alternated between hits and new material from an upcoming, as yet untitled solo album. In fact, Allman played more hits in one solo night than you might see in several nights with the Allman Brothers Band. “Melissa,” “Midnight Rider,” “Whippin’ Post,” and “Statesboro Blues,” all sounded great. He had a way of re-arranging the classic songs that breathed new life in them.
A welcome surprise was Allman’s take on the Bob Dylan song “Just Like a Woman.” He gave it a tenderness only hinted at in Dylan’s original from Blonde on Blonde. Another nice addition was saxophonist Jay Collins, who added a different element to many of the familiar songs.
Rumor has it that Allman’s forthcoming CD is going to be titled Your In Good Hands With Allman.
Goo Goo Dolls – Fraze Pavilion – Friday, May 14, 2010
Opening night for the Summer Concert Series at Fraze Pavilion in Dayton. Perfect night for a show, cool without being uncomfortable. I remember the Goo Goo Dolls from their punky pop stuff of the early 90’s, and albums like Superstar Car wash, and A Boy Named Goo.
First thing that surprised me was how old many of the concert goers were. I thought I’d be the oldest one there, but wasn’t by a long shot. Second thing I noticed was how I had completely lost touch with this band. I didn’t recognize hardly any of the songs that they played. I’ve never been to a concert where you could hear the crowd talking over the band. That’s how it was when the Goos played anything unfamiliar.
It occurred to me what had happened: the Goo Goo Dolls began life as a punkish pop band that only got played on college radio. Their ballad, “Name,” from A Boy Named Goo, changed all that. Constant MTV airplay rocketed that song into the top five. The band decided to shed their underground skin and embrace the mainstream. Their song “Iris” from the Nicolas Cage / Meg Ryan movie City of Angels solidified this transformation. From this point on, the Goo Goo Dolls became the darlings of Adult Alternative.
But there’s a cost to this sort of fame. Everyone knew the hits, but when it came to the album cuts, people could care less. Their college radio fans of old would’ve known every track of every CD, but the top 40 crowd only knows the hit that they’ve downloaded from Itunes or heard on the radio.
While some bands throw in a bone or two for the fans that have been with them from the beginning, the Goo Goo Dolls preferred to completely forget their past, playing only “Name” from A Boy Named Goo. Everything else from the evening centered around their post-transformation period. And, why not? I’m probably the only one in the audience who would’ve cared.
Justin Currie called me from his home in Scotland for an interview with Icon Fetch. He’s just released his second solo disc, The Great War, a return to the melodic pop he perfected with his band Del Amitri. For a review of his disc, click here. Among the many topics covered in our conversation, Currie confesses that he almost drowned during the shooting of the front cover photo, for which he is underwater, fully clothed I might add. He also talks about his biggest hit, “Roll to Me,” a top ten smash from his former band in 1995, and his upcoming solo tour that hits the States in June. He also weighs in on the current social networking craze, and on hearing his music over the speakers in K-Mart.