Maia Sharp – Mercy Rising
For her eighth solo record, Maia Sharp has created an album that is both haunting and incredibly human. Sure, the California native has made a career with her confessional songwriting. But, this album is something all together deeper. 2020 was a rough year for everyone, but I think one of the things we miss the most is being in the presence of others – sharing the same space, breathing the same air, basking in the communal aspect of music.
What strikes me about Mercy Rising is that it’s like Sharp has zoomed all the way in – bringing the listener as close as possible, through the lyrics and music. There are great-sounding records and then there’s Mercy Rising. Other albums, you think “wow, that sounds fabulous,” but it’s obvious they did it in some fancy studio. Here? The musicians sound like they’re in the room with you. And, we all could use some musicians in the same room with us, right? Feeling the vibrations, the bass, the kick drum and being moved by the music.
Her husky voice also has a pull to it. She’s not trying to wow you with vocal gymnastics. Instead, you feel like you’re getting straight honesty, with just enough humor to make it all palatable.
Mercy Rising captures so much warmth, it’s like seeing the sun after months of nothing but gloom. And, this doesn’t mean that the music is often cheerful. Not really. Whether she’s trying to let go of someone in “Missions” or mend a relationship in “Things to Fix, there’s an immediacy and intimacy that, it’s as if you’re being told a secret.
She’s always had a gift for putting a fresh spin on carnal desires, and her latest offering, “You’ll Know Who Knows You” is right up there with her best – she’s got the “record on down the hall” because her lover likes the “echo off the hardwood.” All of this is done over a loping, hypnotic rhythm track that is super sexy.
Not surprising, there’s a darkness to some of the songs – she’s been tossed aside like a “Junkyard Dog,” and she wants you to know that she’s “Not Your Friend,” but still has time to not overthink “Whatever We Are.” There’s a gentle funk to “Backburner (the album’s excellent first single),” while “Nice Girl” shows off her impeccable wordplay. “Always Good to See You” is listed as a bonus track, but it’s spine-tingling good and ranks with the best of the bunch.
And, there really isn’t a more appropriate song for our current state of affairs than “When the World Doesn’t End.” We’ve all feared the worst, and yet here we are.
There’s a haunting, cinematic element to much of the album – reminiscent of the Plant/Krauss collaboration Raising Sand. Take the opener, “Mercy Rising,” which begins with some strange feedback noises, or the aforementioned “When the World Doesn’t End,” which has some crying pedal steel that weaves in and out. All these additions enhance a good record, pushing it to greatness.
Sharp has covered a lot of ground over the years; producing, collaborating and writing for others. But, Mercy Rising is the best thing she’s ever done as a solo artist. —Tony Peters
Maia’s album drops May 7th. In the meantime, preview the singles on her Spotify page: