Vince Guaraldi Trio – A Boy Named Charlie Brown (Craft Recordings)
The album that started it all – reissued on “grass green” vinyl!
The most famous jazz instrumental of all time isn’t by Miles Davis or John Coltrane, it’s from an unassuming pianist and his trio. Vince Guaraldi composed “Linus and Lucy” in 1964 for A Boy Named Charlie Brown, a television special that amazingly never got released. Yet, the album introduced us to this rollicking piece of music, which has become synonymous with the Peanuts’ franchise. It also paved the way for A Charlie Brown Christmas, one of the most famous holiday albums ever recorded, which came out the following year.
Craft Recordings has just issued a “Baseball Card Edition” on “grass green vinyl” (referring to the front cover of Charlie Brown, sitting on top of the pitcher’s mound). This version is exclusively available at Target stores, and comes with a sheet of eight baseball cards, depicting the various Peanuts characters. The card backs are especially fun, revealing that Charlie Brown has never won a game, Lucy’s fielding average is .000, and Snoopy’s favorite sandwich is a Hero.
The music, outside the aforementioned “Linus and Lucy,” is less familiar, but just as enjoyable. Guaraldi had a way of creating melodies that are friendly and fun – something often elusive in the jazz genre.
“Oh Good Grief” sets the mood, with its walking bass of Monty Budwig, followed by the bossa nova of “Pebble Beach” (which reminds me of the old standard, “That Old Feeling”). Guaraldi is all over the piano here, but still manages to not sound “busy.” The Charlie Brown character seems to do a great deal of contemplating and “Happiness Is” is perfect for his self reflection. “Schroeder” is clever in referencing his idol, Beethoven, while the gentle “Charlie Brown Theme” gently swings.
Side two opens with “Linus and Lucy” – it’s funny, it’s called A Boy Named Charlie Brown, but in typical “Charlie Brown fashion,” others steal the show. Colin Bailey’s ride cymbal really jumps out on this vinyl release.
“Blue Charlie Brown” is the longest piece on the album, clocking in at over seven minutes. Guaraldi hits some “blue” notes, and both Budwig and Bailey stretch out here, really catching a groove. “Baseball Theme” is once again playful, perfect accompaniment for the kids’ game, and their shenanigans. The album closes with “Frieda (With the Naturally Curly Hair).” Here, Guaraldi lets his playing swirl behind the swinging rhythm section.
Craft Recordings always go above and beyond on their vinyl reissues, and this is no exception. Mastered specifically for vinyl from the analog tapes by Kevin Gray at Cohearent Audio. The biggest difference is the double bass really jumps out on this version, giving a fat, warm bottom end.
Just as he did with A Charlie Brown Christmas, Vince Guaraldi creates instrumentals that are warm and inviting. You don’t have to be a fan of jazz to enjoy this. In fact, that’s kind of the point here. It’s jazz for people that don’t like jazz. Yet, this also isn’t a dumbed down version of the genre either. And that’s Guaraldi’s gift, it’s music for everyone. If you’re a fan of the Peanuts’ specials (and who isn’t???), A Boy Named Charlie Brown should be in your collection. The special green vinyl and baseball cards make it even more fun. —Tony Peters