The Cryan Shames came out of Chicago in the mid-Sixties, scoring a minor national hit with “Sugar & Spice” in 1966. Yet, several of their other songs, including “It Could Be We’re in Love,” did very well in major cities around the country. The band was signed to Columbia records and released three albums that still hold up today.
The Cryan Shames became known for their intricate harmonies melded over jangly melodies, reminiscent of bands like the Byrds and the Beatles. The group broke up in 1969, but has reunited several time over the years.
We chat with lead singer, Toad, who remains active with the band. He tells us the origins of the group and their record contract. Plus, he reveals a piece of advice that Roger McGuinn of the Byrds gave him that helped steer the band in a different direction.
First time on CD for a pair of underrated solo albums from the ex-Byrd
Chris Hillman was a late-bloomer. He began as the bassist, and occasional vocalist for the seminal 60’s band, the Byrds. Yet, his early songs sounded tentative, and video footage of him from that time period revealed an uncomfortable rockstar. Who could’ve guessed that much bigger success for him lurked right around the corner?
Eventually, Hillman would help found the groundbreaking country-rock outfit the Flying Burrito Brothers with Gram Parsons, team with Stephen Stills in the genre-bending Manassas, and hit well-deserved success in the early Eighties with the country combo the Desert Rose Band. The Asylum Years, a new disc from Omnivore Recordings, fills a gap in that story, making available for the first time on CD and digital formats, two forgotten solo albums Hillman recorded in the late Seventies, Slippin’ Away and Clear Sailin’. Continue reading Chris Hillman – The Asylum Years (review)→